Steve Spazuk has perfected a technique called fumage, he use the flame of a candle or the flame of a torch as a pencil to create his paintings with trails of soot, then he scratches it away to produce the detail. It’s mesmerizing to watch. Visit www.spazuk.com to find out more.
Ok Go do such creative music videos and I wanted to share their genius with you. They have recently release “I won’t let you down”, meticulously choreographed and on awesome little Honda scooters, which was filmed with a GPS-controlled drone.
I think “Here it goes again” will always be a favorite of mine. Enjoy!
Recently we visited the Richard Goodall Gallery in the Northern Quarter, Manchester. I used to work in the area and loved popping in to peruse the latest contemporary pieces of art they had to offer.
They have a wide variety on show, paintings, prints, drawings, photos, vinyl toys, and some designer homeware. So here are few things that caught my eye.
Artist: Nicolas Bannister
Artist: Ray Caesar
Artist: Jay Ryan
Vinyl Figures: Dunny & Mechtorians
A short film featuring 21 artists and cultural figures from art, fashion, film, design, technology and music. The film is an insider’s perspective on inspiration from the minds of leading creative personalities.
What inspires you to be creative?
Hello my name is Simon. I’m 31, live in Bristol in the UK with my beautiful wife and two little boys. I became a committed Christian through a powerful encounter with God at a local Alpha course in 2005. I am currently training to be a small group leader in my local Newfrontiers church. For the last six years I’ve been researching and working on the first part of the “Word for Word Bible Comic” in my own time. Now I am hoping to make it my full time calling with the help of my Kickstarter Campaign.
What lead you to create the Word for Word Bible Comic?
When I became a committed Christian at the age of 22, I read the Bible properly for the first time and was amazed at the provocative tales of corrupted man and an uncompromising God. These adult stories of a powerful messiah were not what I remembered from Sunday school. Reading through the Book of Samuel was like reading a Game of Thrones novel and so I became very excited about reading the Bible. There is a big gap between Bible based comics and storybooks for kids and the real harsh texts of the book we read as adults. I became aware of this gap, but only later realised God was calling me to fill the need.
One of the needs this comic will meet is to reach the rapidly increasing comic fan base with God’s word as I believe non-Christians will be happy to read the Bible if it is in a dramatic comic style.
Another objective is to improve biblical understanding and engage young and new Christians (and old ones too hopefully). I had a good quote about this in a review of the comic by Rev. Dr. Christopher R. Smith (Author of “Understanding the Books of the Bible” Study Guides) who said “One might argue that W4W is actually a more authentic presentation of the Bible than our bare printed texts, which invite us to fill a visual vacuum by supplying pictures in our own imagination of people and events. We tend to do this as if they happened in our own time and place, or else in a generic “Bible world” where nothing really changes culturally from Abraham to Paul. W4W instead brings the reader very authentically back into the specific cultural world in which each story originated, through careful archaeological research.”
What is unique about your project?
The real unique selling point is the unabridged element: unlike other comic renditions of the Bible this one will be completely unabridged. All the words (even “he said” and descriptive elements) are still included into the comic but subtly in the ‘gutters’. These generally appear as dark grey on medium grey. The intention is that if you are reading it as a comic, you could ignore these phrases. However if you want to see what the Bible text includes they are present and legible.
Unabridged also means no parts of the stories are overlooked or avoided. For example, the Levite’s concubine (Judges 19), Jepthah’s sacrifice (Judges 12), or brides for the Danites (Judges 21). All parts of the story are important (1 Tim 3:16) and, in my experience, it’s the details that help you understand the full story and characters.
This graphic novel will not shy away from any issue the Bible addresses. Unfortunately, due to the corruption of mankind, these issues include violence, kidnapping, cold-blooded murder and even rape and infanticide. This work will not glamorize evil of any kind, nor will it be explicit or dwell on these things, but it will cover all the lessons that the Bible teaches. As a result I recommending an age restriction of fifteen.
Who influenced you as an artist?
As a little kid I loved reading Asterix and Tintin, then I don’t think I read anything else until I was a young teen when I used to read manga and buy 2000AD every week, with Judge Dredd, Sinister Dexter and my favourite at the time, Slaine.
Funnily enough, I didn’t read much Marvel or DC until a few years ago when I started planning this project. Marvel is obviously “the best in the business” in a lot of ways but my favourite comic artist is now Mike Mignola with Hellboy and BPRD. I didn’t read Hellboy for a long time assuming it would be anti-Christian but it’s not, there is a sort of vague Judeo/Christian mythos that runs through it and it is not dishonouring to God.
These comics that I have read have, of course, informed my own work, even Asterix as I am using different typefaces for when the characters speak in other languages. Hellboy is the biggest influence on this project it has a great atmosphere and pace, and I’m sure you will see it’s influence all through my work.
What tools do you use to create comics and what makes them the “right tools” for you?
I draw on Bristol Board with pencil, then I ink it with a fine brush. I add the colour and most of the shadow in Photoshop. It’s the right tools because I have better control of the brush than a Graphics Tablet but I can render the pictures quicker and more smoothly with the computer.
What do you do to recharge your creative batteries?
I guess I partake in our people’s creativity, by reading comics, watching TV and films like Game of Throne, Walking Dead, Marvel Agents of Shield. I also do re-enactment and other hobbies and games set in history. In those contexts getting the costumes and accessories exactly right for the era is important and this has given me a sensitivity for this that is applied to the comic so even the bowls and jugs used are linked to the nationality and time period specifically.
What element of your work gives you the most personal satisfaction?
When people read the comic and enjoy it, especially people who are not Christians and then say they’d like to read more of the Bible.
Once this project is completed, what’s next for you?
This project is unlikely to be completed in my life time, so heaven I guess. Before that though I need support to help me get the “Word for Word Bible Comic” started properly. If you could please check out my Kickstarter page and help me kickstart the project by either financially backing or sharing it with your friends through Facebook and Twitter.
About the Kickstarter project:
Kickstarter is a crowd-funding website where you present your concept and people pledge to give you money if you hit your full funding goal. Backers get rewards based on their level of contribution. If the goal is not hit within the time scale the project gets nothing. My goal is £15,000 which is the amount of money (after deductions) that I will use to draw the comic full time for the next twelve months. As I write this the project is 40% funded and has less than sixteen days to go (ending on Sunday May 25th at 21:00 GMT).
If you would like to see this comic become a reality, pledge and partner with me in serving the Lord in this way.